Vintage Fringed

I hope you had a good Thanksgiving weekend. I ended mine with the news that six of my poems that had previously been featured in Fringe Magazine would be featured this week in a Vintage Fringe issue, one of a series of features from past issues. The issue is now up, and I'm very happy to have this feature re-emerge, thanks to the interest of the editors at Fringe. (By the way, if you're on Facebook, have you become a fan of Fringe?)

Along with the Vintage feature is an interview with me about the poems on the Fringe blog (accessible from the magazine's first page). The interview was conducted by Poetry Editor Anna Lena Phillips.

Fringe is a fascinating read. Here's one reason why, from their Manifesto:

"We worry about the state of modern literature. We worry that it’s too realist, monolithic, corporate, print-bound and locked in its own bubble.

"That’s why we founded Fringe. Fringe is the noun that verbs your world. We publish work that is political or experimental in form or content and define both “political” and “experimental” broadly. “Political” can mean work that incorporates or comments on current events or it can mean literature and art that further personal dignity and advocate human rights. We regard “experimental” work as work that breaks with the canon, takes formal risks, or explores a strange or impossible point of view."

While some journals claim the experimental as territory, it too often seems to equate with the unintelligible. Not the work in this zine, which is consistently thought-provoking -- though the thoughts may not always be pleasant -- and surprising in ways that make you want to write something in response. At least that's how it works for me.

Pick something of your own that surprises you, and send it to them.